Jan. 20th, 2004

mayhap: hennaed hands, writing (I like my music polyphonic.)
I am currently bumming around campus, killing time before The Class Which I Devoutly Hope to Drop. I won't know until tomorrow if I can actually drop The Class Which I Devoutly Hope to Drop (known to some as Early Renaissance Painting), so I shouldn't really skip It.

The two classes I had this morning are one right after the other and down the hallway from each other on the same floor in the same building, giving me strong flashbacks to high school. The first, Ancient Egyptian Mortuary Traditions (hereafter Death on the Nile) will be covering just that and should be quite a lot of fun, as I am still madly jealous of my friend who is studying Egyptology. Our professor casually referenced Dorothy Sayers, and I think it's pretty difficult to go wrong with a professor who knows her Sayers. The second, Acting Medieval Literature (hereafter Minstrelsy) is going to be very cool. We're not even doing any theatre per se, instead focusing exclusively on other literature and how it would have been performed.
mayhap: hennaed hands, writing (I like my music polyphonic.)
I am currently bumming around campus, killing time before The Class Which I Devoutly Hope to Drop. I won't know until tomorrow if I can actually drop The Class Which I Devoutly Hope to Drop (known to some as Early Renaissance Painting), so I shouldn't really skip It.

The two classes I had this morning are one right after the other and down the hallway from each other on the same floor in the same building, giving me strong flashbacks to high school. The first, Ancient Egyptian Mortuary Traditions (hereafter Death on the Nile) will be covering just that and should be quite a lot of fun, as I am still madly jealous of my friend who is studying Egyptology. Our professor casually referenced Dorothy Sayers, and I think it's pretty difficult to go wrong with a professor who knows her Sayers. The second, Acting Medieval Literature (hereafter Minstrelsy) is going to be very cool. We're not even doing any theatre per se, instead focusing exclusively on other literature and how it would have been performed.

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