What I've been readingI read
both volumes of Matt Fraction's The Defenders, a sort of unconventional team book that starts out all messy and then gets brilliant and then canceled in short order. Alas.
I reread
Surfeit of Lampreys, and I
do still love the Lampreys. Plus Roberta Grey, honorary Lamprey, of course.
I read
A Game for Swallows: To Die, to Leave, to Return, a graphic memoir about the civil war in Lebanon. The pairing of the art style and the subject matter obviously owes a lot to Persepolis, and indeed this is what made me pick it up, but Abirached also does some really effective storytelling through maps and floorplans and uses lots of fields of repeated figures (like the cars on the cover) in a visually striking way.
I read
Broken Homes, the new Peter Grant book, and well. I'm of two minds. As a book, it really is, structurally,
broken, so even though there are lots of little fan-friendly
yay! moments, they're all embedded in a framework of
wait, what? Like, I mean,
( mild spoilers/premise of book ) Also,
( spoilers/speculation ) But mostly I love this series too much to be objective and I think everyone should read it.
I read
New X-Men Volume 1, the beginning of Grant Morrison's run, and it was entertaining enough.
I read
Harlequin Valentine, a graphic adaption of a Neil Gaiman story. I am really not in love with the art, which is allegedly supposed to be "a combination of digitally enhanced photo-realism and dynamic painting" but just looks like the slightly-classier version of the fanart which is just airbrushing over a photo and pretending you drew it. But, I mean, the pages themselves are fine, and it's a legitimate artistic choice, I just don't like it.
I reread
Death and the Dancing Footman, which I think wins for the Ngiao Marsh book with the least-representative title. I mean, there is a footman, he dances, and logistically the solution of the mystery does involve him, but it doesn't give you a hint of the setup. This book was published in 1941 and all the characters are gearing up for war in one way or another and thinking about how odd it is to investigate one death so particularly when lots of people are going to be dying indiscriminately soon, which is not a subject that generally comes up in your English country house murder. Also, two of the guests in the house reference
Busman's Honeymoon; they have good taste in detective novels.
I reread
Colour Scheme, which is okay (and has a great title) but not my favorite of the Alleyn-hunts-spies-in-WWII-New-Zealand duology.
I reread
Died in the Wool, which, by process of elimination,
is. I had forgotten/not noticed how cool the structure of it is.
I reread
Final Curtain, and I love Troy, I love her as a POV character especially, and I love her reunion with Alleyn after their long separation during the war. There is a gay character among the group of suspects—this is indicated via incredibly subtle hints, like one character actually saying "He's one-of-those, of course, but I always think they're good mixers in their own way," which managed to go right over my incredibly sheltered head at twelve or thirteen—which I do not love. Ngiao Marsh's ability to characterize has come on leaps and bounds since the last serious spate of extended homophobia in book four, so that's something. Something fairly repellant.
What I'm reading nowI just started rereading
Swing, Brother, Swing.
What I'm reading nextI put a hold on
A Tale for the Time Being, because it was the only title on the Booker longlist that looked interesting to me, and it just came in at the library, so we'll see. Also, the next Ngaio Marsh after this one is
A Night at the Vulcan and I'm excited about that one, although I've reread it enough times already that I actually remember who the murderer is.
(I
never remember the murderer. The solution to the mystery is the first thing I forget about a book. This compensated somewhat for my chronic shortage of reading material as a kid.)