mayhap: hennaed hands, writing (Default)
What I've been reading

Not that much, because it was a busy week.

I did read this anthology of villanelles, because I enjoy villanelles. Especially the whole section of villanelles about villanelles, like this one by John Hollander:
This form with two refrains in parallel?
(Just watch the opening and the third line.)
The repetitions build the villanelle.

The subject thus established, it can swell
Across the poet-architect's design:
This form with two refrains in parallel

Must never make them jingle like a bell,
Tuneful but empty, boring and benign;
The repetitions build the villanelle

By moving out beyond the tercet's cell
(Though having two lone rhyme-sounds can confine
This form.) With two refrains in parallel

A poem can find its way into a hell
Of ingenuity to redesign
The repetitions. Build the villanelle

Till it has told the tale it has to tell;
Then two refrains will finally intertwine.
This form with two refrains in parallel
The repetitions build: The Villanelle.
mayhap: hennaed hands, writing (Default)
I am awake because I did something dreadful to my back, possibly involving pinched nerves, by falling asleep on the couch during the Daily Show on Wednesday and I spent the whole day at work agonizing because I was paranoid about coming off as a malingering flake and then promptly collapsed at home in a haze of exhaustion and painkillers, which did not have the decency to keep me asleep at least until early morning instead of the middle of the night.

Here is a poem that I thought I had misplaced, until I realized that I had bookmarked it in Safari.

The Promise

BY SHARON OLDS

With the second drink, at the restaurant,
holding hands on the bare table,
we are at it again, renewing our promise
to kill each other. You are drinking gin,
night-blue juniper berry
dissolving in your body, I am drinking Fumé,
chewing its fragrant dirt and smoke, we are
taking on earth, we are part soil already,
and wherever we are, we are also in our
bed, fitted, naked, closely
along each other, half passed out,
after love, drifting back
and forth across the border of consciousness,
our bodies buoyant, clasped. Your hand
tightens on the table. You’re a little afraid
I’ll chicken out. What you do not want
is to lie in a hospital bed for a year
after a stroke, without being able
to think or die, you do not want
to be tied to a chair like your prim grandmother,
cursing. The room is dim around us,
ivory globes, pink curtains
bound at the waist—and outside,
a weightless, luminous, lifted-up
summer twilight. I tell you you do not
know me if you think I will not
kill you. Think how we have floated together
eye to eye, nipple to nipple,
sex to sex, the halves of a creature
drifting up to the lip of matter
and over it—you know me from the bright, blood-
flecked delivery room, if a lion
had you in its jaws I would attack it, if the ropes
binding your soul are your own wrists, I will cut them.

[via]
mayhap: hennaed hands, writing (Default)
I am awake because I did something dreadful to my back, possibly involving pinched nerves, by falling asleep on the couch during the Daily Show on Wednesday and I spent the whole day at work agonizing because I was paranoid about coming off as a malingering flake and then promptly collapsed at home in a haze of exhaustion and painkillers, which did not have the decency to keep me asleep at least until early morning instead of the middle of the night.

Here is a poem that I thought I had misplaced, until I realized that I had bookmarked it in Safari.

The Promise

BY SHARON OLDS

With the second drink, at the restaurant,
holding hands on the bare table,
we are at it again, renewing our promise
to kill each other. You are drinking gin,
night-blue juniper berry
dissolving in your body, I am drinking Fumé,
chewing its fragrant dirt and smoke, we are
taking on earth, we are part soil already,
and wherever we are, we are also in our
bed, fitted, naked, closely
along each other, half passed out,
after love, drifting back
and forth across the border of consciousness,
our bodies buoyant, clasped. Your hand
tightens on the table. You’re a little afraid
I’ll chicken out. What you do not want
is to lie in a hospital bed for a year
after a stroke, without being able
to think or die, you do not want
to be tied to a chair like your prim grandmother,
cursing. The room is dim around us,
ivory globes, pink curtains
bound at the waist—and outside,
a weightless, luminous, lifted-up
summer twilight. I tell you you do not
know me if you think I will not
kill you. Think how we have floated together
eye to eye, nipple to nipple,
sex to sex, the halves of a creature
drifting up to the lip of matter
and over it—you know me from the bright, blood-
flecked delivery room, if a lion
had you in its jaws I would attack it, if the ropes
binding your soul are your own wrists, I will cut them.

[via]
mayhap: hennaed hands, writing (Dave McKean)
Ganked from [livejournal.com profile] aesc, it's the post your favorite bit of poetry meme! Except that I am notoriously incapable of having a single favorite of anything, so this is just the poem that's been running through my head today.

Dream-Pedlary

Thomas Lovell Beddoes

If there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life's fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy? )
mayhap: hennaed hands, writing (Dave McKean)
Ganked from [livejournal.com profile] aesc, it's the post your favorite bit of poetry meme! Except that I am notoriously incapable of having a single favorite of anything, so this is just the poem that's been running through my head today.

Dream-Pedlary

Thomas Lovell Beddoes

If there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life's fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy? )

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