mayhap: hennaed hands, writing (Default)
What I've been reading

I finished rereading the Little House books in time for Wilder Days at the Laura Ingalls Wilder Historic Home & Museum in Mansfield, MO. It's worth planning your trip to coincide with Wilder Days if you can swing it because you can listen to Pa's fiddle being played.

I reread On the Banks of Plum Creek. Those passages about the grasshoppers, especially when the grasshoppers start walking west with absolutely no regard for what they're walking over or into, are some of the creepiest, most effective writing ever. It's also just a much better, richer, fuller story than Rose's Let the Hurricane Roar. I wonder why she used her grandparents' real names in her first version but then made them newlyweds with a son instead of three daughters? It seems like an odd choice.

I reread By the Shores of Silver Lake. Laura specifically chose to pass quickly over the family's illness and open with Mary's blindness as a fait accompli to sort of minimize all the misery but I think it's actually a bit overwhelming presented as an infodump. As a kid as far as I can recall I was really oblivious of how dangerous their position was with those angry railroad workers. I guess I had really internalized the idea that Charles Ingalls could take care of anything.

I reread The Long Winter, which was always a favorite as a kid. As much as I admire the purity and simplicity of the fictionalized version of the story where the Ingalls family are the sole occupants of their house in De Smet, I found the true, more complicated version even more entertaining. They had this couple with a newborn living with them because their families didn't approve of the marriage and they had nowhere else to go, and they were just hilariously unhelpful while everyone else was just barely avoiding starving or freezing to death. The man in particular just gobbled their food with no apparent regard for how very precious it was, and this one time he was in such an indecent hurry that he burned his mouth and then remarked, "Potatoes do hold the heat," which became an Ingalls family catchphrase for someone being selfish and oblivious. I mean, I find that totally hilarious.

I reread Little Town on the Prairie. I always really liked the theme in this one of Laura learning to relate to people, especially her parents and Mary, from a grown-up perspective. Also the tiny kitten battling the mouse.

I reread These Happy Golden Years. I feel like in trying to write a romance appropriate for a children's audience Laura ends up sublimating and displacing all her emotions onto Almanzo's horses. I mean, I assume she was attracted to him, but it comes across like she totally just loved him for those horses. But, I mean, I just thought they were a cute couple when I was a kid, so I feel like she did a good job aiming at her intended audience.

I reread The First Four Years. I know a lot of people don't care for it and don't think it should have been published at all, or at least not foisted off on them in the guise of a real part of the series, but I always liked it. It's true that it was never harmonized with the end of These Happy Golden Years and that was always a little confusing, but it's hardly the end of the world. Fun fact: apparently, based on the Garth Williams sketches that were on display at the museum, the original intended title seems to have been The Last Four Years, which sounds like a book that would have an even more catastrophic ending.

What I'm reading now

Alexander Hamilton: A Life, because I'm having a lot of feelings about a bastard orphan son of a whore and a Scotsman (although that is actually quite unfair to his poor mother!). Thanks a lot, Lin-Manuel Miranda.
mayhap: illustration of Toad reading to Frog (frog and toad are friends)
What I've been reading

I read Wonderstruck, which uses the full-page cinematic illustrations interspersing the prose text that Brian Selsnick pioneered in The Invention of Hugo Cabret. I absolutely love this technique, which I find so much more enjoyable to read than traditional sequential art with its cramped panels, but of course the tradeoff in terms of paper usage is real. This book has the additional twist that the prose story and the graphic story are completely separate at the beginning, although by the time they converge it becomes clear how they're connected. Also, a substantial portion is set in one of my favorite places: the American Natural History museum.

I read We Have Always Lived in the Castle, which is deservedly included on a lot of lists of best opening sentences/paragraphs. Although I did wish that Mary Katerine's liking Richard Plantagenet figured into the story along with her sister Constance and the deathcap mushroom. I mean, even in such a short, spare story I feel like it could have come up somehow!

I reread Serendipities: Language and Lunacy, a collection of miscellany adapted from lectures given by Umberto Eco. It's funny how the bestsellerdom of The Name of the Rose got this book a reasonably-priced edition from a mainstream publisher, even though a.) it's rather abstruse and b.) it mostly consists of addenda to The Search for the Perfect Language, which is only available in pricier academic editions. The piece about Dante is the most interesting to me, naturally.

I reread Little House in the Big Woods, which is something that I hadn't done in ages, even though I used to practically have these books memorized as a kid. This one especially is so cozy—much more isolated than I would actually enjoy, but they're still relatively close to a town and most of their handful of neighbors are family. Even as a kid I felt like Charles Ingalls's judgement was questionable.

I reread Little House on the Prairie, which indeed features a significantly reduced quality of living, although building the new house from scratch is a great opportunity for a whole new set of details. Jack the bulldog is such an important character in this book, even more than the first one, that it's really bizarre to think that in real life they traded him along with the ponies when they left Kansas.
Pa was on top of the walls, stretching the canvas wagon-top over the skeleton roof of saplings. The canvas billowed in the wind, Pa’s beard blew wildly and his hair stood up from his head as if it were trying to pull itself out. He held on to the canvas and fought it. Once it jerked so hard that Laura thought he must let go or sail into the air like a bird. But he held tight to the wall with his legs, and tight to the canvas with his hands, and he tied it down.

“There!” he said to it. “Stay where you are, and be—”
    
“Charles!” Ma said. She stood with her arms full of quilts and looked up at him reprovingly.
    
“—and be good,” Pa said to the canvas. “Why, Caroline, what did you think I was going to say?”
    
“Oh, Charles!” Ma said. “You scalawag!”
I finally realized what Pa was actually about to say there!
mayhap: watercolor of a girl looking down (a face like a glass of water)
What I've been reading

I (finally!) read Pioneer Girl: The Annotated Autobiography. It's an interdisciplinary book, approaching the Pioneer Girl manuscript both as a nonfiction memoir and a precursor to the fictionalized Little House books, but I feel like it's on stronger ground on the historical side. It is published by the South Dakota Historical Society and not the South Dakota Literary Society, after all. I suppose the upside to the obsessive tracing of the best possible information about absolutely everyone mentioned in the manuscript which frequently swamps the space allotted to annotations is that if you know your genealogy and you had ancestors in any of the correct places at the correct times you can easily find out if they had any kind of memorable encounter with the Ingalls family. (Mine were in vaguely the right part of the country, but never close enough.)

Of all the differences between the remembered and the literary account, the one that actually bothered me was Jack, the brindle bulldog. It turns out that "because Jack wanted to stay with Pet and Patty as he always did Pa gave him to the man who had them." I'm disappointed in Jack. A dog is supposed to be man's best friend, not a team of horses' best friend.

I read Finding Audrey, Sophie Kinsella's first attempt at writing YA. The bullying/depression/anxiety storyline is different from anything she's written under that name (I haven't read any of her Madeleine Wickham) books and I'm not sure how well it meshes with the fluffier romance, but I suppose I can see it as more of a wish fulfillment thing.

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